{"id":206,"date":"2017-10-29T01:20:46","date_gmt":"2017-10-29T01:20:46","guid":{"rendered":"http:\/\/knottheads.com\/blondevinyl\/?page_id=206"},"modified":"2026-02-12T16:59:13","modified_gmt":"2026-02-12T16:59:13","slug":"deitiphobia","status":"publish","type":"page","link":"https:\/\/knottheads.com\/blondevinyl\/artist\/deitiphobia\/","title":{"rendered":"Deitiphobia"},"content":{"rendered":"
\"Deitiphobia\"<\/div>\n
\n\n\n
\nDeitiphobia is considered to be one of the first Christian Industrial bands to be released in the Christian market. Their sound has a heavy techno\/dance feel to it on the Blonde Vinyl albums, even though guitars were added on later releases.<\/p>\n

Deitiphobia is also the center of the Slava universe. Slava music was originally a mail order distributor and demo production house that quickly became a sub-label of Blonde Vinyl.\n<\/td>\n

 <\/td>\n\"Deitiphobia\"<\/td>\n<\/tr>\n<\/table>\n<\/div>\n
\n

Pre-Blonde Vinyl Career<\/strong><\/h2>\n
\nDeitiphobia started out as a group called Donderfliegen, which is a made up word that they felt sound like a German word for “Darn that fly.” They recorded a cassette demo called Digital Priests<\/i> that quickly became a collector’s item. They apparently changed their name to Deitiphobia when some suggested that Donderfliegen had Nazi overtones.<\/p>\n
\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n
\nDigital Priests (by Donderfliegan)<\/b><\/span>
\nSlava Music (1990)
\nProduced by Donderfliegen<\/b><\/p>\n

Wally Shaw<\/b> – vocals, keyboards, percussion
\nBrent Stackhouse<\/b> – writing, vocals, programming, artwork<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n
01) <\/td>\n Red Society\t\t\t\t<\/td>\n 4:56 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
02) <\/td>\n The World From an Altar\t\t<\/td>\n 4:33 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
03) <\/td>\n Dance on My Creation\t\t\t<\/td>\n 3:51 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
04) <\/td>\n Graveyards (are fot the dead)\t<\/td>\n 4:41 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
05) <\/td>\n …and there were mystic voices\t<\/td>\n 5:53 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
06) <\/td>\n Have Mercy\t\t\t\t<\/td>\n 4:56 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
07) <\/td>\n Attack the City Walls\t\t<\/td>\n 5:56 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
08) <\/td>\n Love Among Thieves\t\t\t<\/td>\n 6:16 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
09) <\/td>\n What Faith?\t\t\t\t<\/td>\n 6:25 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n
Other Information:<\/b>
\nRe-issued later on M8 records.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n
\n

Blonde Vinyl Releases<\/strong><\/h2>\n
\n\n\n
\"album<\/p>\n<\/td>\n <\/td>\n\n\n\n
Fear of God<\/b><\/span>
\nBVCD3342 (1991)
\nProduced by Deitiphobia<\/b><\/p>\n

Wally Shaw<\/b> – vocals, keyboards, percussion
\nBrent Stackhouse<\/b> – vocals, programming<\/p>\n

Alexei the Russian<\/b> – additional vocals on “A.O.G.L.X.E.M.I.X”
\nHeather Stackhouse<\/b> – additional vocals on “Communion”<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01) <\/td>\n Crucifixion of Will \t\t<\/td>\n 3:29 <\/td>\n Shaw <\/td>\n<\/tr>\n
02) <\/td>\n My Sins are Gone \t\t<\/td>\n 0:05 <\/td>\n <\/td>\n<\/tr>\n
03) <\/td>\n Tripizoidal \t\t\t<\/td>\n 0:58 <\/td>\n <\/td>\n<\/tr>\n
04) <\/td>\n SPILL! \t\t\t\t<\/td>\n 5:15 <\/td>\n Shaw \/ Stackhouse <\/td>\n<\/tr>\n
05) <\/td>\n Architekt = X \t\t\t<\/td>\n 3:51 <\/td>\n Shaw \/ Stackhouse <\/td>\n<\/tr>\n
06) <\/td>\n Digital Symphony Opus 1 \t<\/td>\n 0:21 <\/td>\n <\/td>\n<\/tr>\n
07) <\/td>\n Dancing Messiah \t\t<\/td>\n 5:04 <\/td>\n Stackhouse <\/td>\n<\/tr>\n
08) <\/td>\n Communion \t\t\t<\/td>\n 4:30 <\/td>\n Shaw \/ Stackhouse <\/td>\n<\/tr>\n
09) <\/td>\n Ethereal Worship Sequence \t<\/td>\n 0:57 <\/td>\n <\/td>\n<\/tr>\n
10) <\/td>\n A.O.G. \t\t\t\t<\/td>\n 4:39 <\/td>\n Shaw <\/td>\n<\/tr>\n
11) <\/td>\n Jesu Christe Network \t<\/td>\n 0:19 <\/td>\n <\/td>\n<\/tr>\n
12) <\/td>\n Altitude 0 \t\t\t<\/td>\n 4:06 <\/td>\n Stackhouse <\/td>\n<\/tr>\n
13) <\/td>\n Target: Humanity \t\t<\/td>\n 4:27 <\/td>\n Shaw <\/td>\n<\/tr>\n
14) <\/td>\n Lost in Light \t\t\t<\/td>\n 0:12 <\/td>\n <\/td>\n<\/tr>\n
15) <\/td>\n I Tore the Sky \t\t<\/td>\n 3:25 <\/td>\n Shaw <\/td>\n<\/tr>\n
16) <\/td>\n Liars and Fools \t\t<\/td>\n 4:41 <\/td>\n Stackhouse <\/td>\n<\/tr>\n
17) <\/td>\n A.O.G.L.X.E.M.I.X \t\t<\/td>\n 7:03 <\/td>\n Shaw <\/td>\n<\/tr>\n
18) <\/td>\n Architekt = X (Sigma 7 Mix)<\/td>\n 6:10 <\/td>\n Shaw \/ Stackhouse <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n
Other information:<\/b>
\nFear of God was entirely written between April and August of 1991. Only three songs (“Crucifixion of Will,” “SPILL!,” and “I Tore the Sky”) were ever performed under the band’s previous name, donderfliegen (which means nothing literally in any language but to the band meant “darn that fly”, related to Satan as Lord of the Flies). At Cornerstone ’91, the band felt that God was telling them to clarify their image and message which led them to the name change. The focus of this album is on God as revealed through the Bible, and through sharing the Gospel. Though this type of music is unusual, the Lord has blessed the ministry that Wally and Brent have been involved in.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n
\n\n\n
\"album<\/p>\n<\/td>\n <\/td>\n\n\n\n
Digital Priests – the remixes<\/b><\/span>
\nBVCD3462 (1992)
\nProduced by Deitiphobia<\/b><\/p>\n

Wally Shaw<\/b> – vocals, keyboards, percussion
\nBrent Stackhouse<\/b> – vocals, programming<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01) <\/td>\n Red Society \t\t\t\t\t<\/td>\n 4:48 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
02) <\/td>\n The World From an Altar \t\t\t<\/td>\n 4:36 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
03) <\/td>\n Dance on My Creation \t\t\t<\/td>\n 3:48 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
04) <\/td>\n Graveyards \t\t\t\t\t<\/td>\n 3:23 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
05) <\/td>\n Mystic Voices \t\t\t\t\t<\/td>\n 5:08 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
06) <\/td>\n Have Mercy \t\t\t\t\t<\/td>\n 4:44 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
07) <\/td>\n Attack the City Walls \t\t\t<\/td>\n 3:40 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
08) <\/td>\n What Faith? \t\t\t\t\t<\/td>\n 5:54 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
09) <\/td>\n Bow to the Cross \t\t\t\t<\/td>\n 2:09 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
10) <\/td>\n Forgiven \t\t\t\t\t<\/td>\n 5:54 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
11) <\/td>\n Battleground \t\t\t\t\t<\/td>\n 7:13 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
12) <\/td>\n Almost Gone (I.V.) \t\t\t\t<\/td>\n 4:32 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n
13) <\/td>\n Attack the City Walls (Mastermix) \t<\/td>\n 4:36 <\/td>\n Deitiphobia <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n
Other information:<\/b>
\nDigital Priests was originally released by donderfliegen during the summer of 1991 as an independent cassette. Only 250 were manufactured and fewer than that were sold. Judging from the mail that we received asking for some of those songs, we decided to re-release them (sort of) on a much larger scale. We have upgraded some of them and added some of our more current material. The entire project has been revamped, re-recorded, and re-mastered. This is not a follow-up to our debut, Fear of God, but instead a kind of experimental collection of past and present donderfliegen\/Deitiphobia. Enjoy.<\/p>\n

Brent Stackhouse was also in Wigtop<\/a> and X-Propagation<\/a> at this time.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n

\n

Blonde Vinyl Compilation Appearances<\/strong><\/h2>\n
\n