{"id":343,"date":"2017-10-30T01:59:57","date_gmt":"2017-10-30T01:59:57","guid":{"rendered":"http:\/\/knottheads.com\/blondevinyl\/?page_id=343"},"modified":"2026-01-15T22:07:52","modified_gmt":"2026-01-15T22:07:52","slug":"scaterd-few","status":"publish","type":"page","link":"https:\/\/knottheads.com\/blondevinyl\/artist\/scaterd-few\/","title":{"rendered":"Scaterd Few"},"content":{"rendered":"
\"Scaterd<\/div>\n
\n\n\n\n
Scaterd Few is a punk band heavily influenced by Jane’s Addiction and Bad Brains. They are considered one of the first Christian punk bands. They combine honest lyrics with top-notch musicianship to create music that is all their own. Scaterd Few was also playing and working with Circle One after the lead singer became a Christian in the early 1980s. Their one album recorded for Blonde Vinyl Records was never completed or released, even though it was re-recorded, completed, and released independently by the band in 1994.<\/p>\n

All Scaterd Few and Spy Glass Blue albums have been remastered and released on CD and vinyl. Scaterd Few also has a semi-active Facebook Page<\/a>. Allan Aguirre has stayed active in worship music with a bands called Men as Trees Walking<\/a>. Omar Domkus<\/a> is also active as a session bassist.<\/td>\n

 <\/td>\n\"Scaterd
\n\"Scaterd<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n

Pre-Blonde Vinyl Career<\/strong><\/h2>\n
\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
First Demo<\/b><\/span>
\nIndependent (1983)<\/p>\n

Omar Domkus<\/b> – vocals on track 2, bass, BGV
\nR\u00e4mald Domkus (Allan Aguirre)<\/b> – vocals on track 1, guitars, drums
\nLou Becaria<\/b> – lead guitar on track 2<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
01)<\/td>\nGave Us Life<\/td>\n2:28<\/td>\nR. Domkus<\/td>\n<\/tr>\n
02)<\/td>\nUntitled<\/td>\n1:29<\/td>\nO. Domkus<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
Other Information:<\/b>
\nThis was the demo that got Terry Taylor’s attention.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
11 Song Demo<\/b><\/span>
\nIndependent (1983)
\nProduced by Terry Taylor<\/b><\/p>\n

Allen Pelerin<\/b> – vocal
\nBrian Anderson<\/b> – drums
\nOmar Domkus<\/b> – bass, BGV
\nR\u00e4mald Domkus (Allan Aguirre)<\/b> – guitars, BGV<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n
P.T.T.C.P.<\/td>\n1:52<\/td>\nR. Domkus<\/td>\n<\/tr>\n
The End<\/td>\n2:48<\/td>\nR. Domkus<\/td>\n<\/tr>\n
Anti-I’m Right<\/td>\n1:37<\/td>\nR. Domkus<\/td>\n<\/tr>\n
Anti Ape<\/td>\n1:48<\/td>\nR. Domkus<\/td>\n<\/tr>\n
Tid Bit<\/td>\n0:16<\/td>\n <\/td>\n<\/tr>\n
Death<\/td>\n0:40<\/td>\nO. Domkus<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
Other Information:<\/b>
\nThis was originally an 11 song demo produced by Terry Taylor. The song names above were the only ones released on Out of the Attic<\/i> in 1994. The names of the other songs recorded at this time are unknown.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

Allan Aguirre and Drew Domkus were in a band called Cygnet from about 1986 until 1989 while Scaterd Few was on hiatus.<\/p>\n

\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
Sin Disease<\/b><\/span>
\nAlarma Records (1990)
\nBurnt Toast Vinyl (2015) (vinyl re-issue)
\nRetroactive Records (2023) (gold disc re-issue)
\nProduced by Terry Taylor<\/b> and R\u00e4mald Domkus<\/b> with Omar Domkus<\/b><\/p>\n

Samuel West<\/b> – drums, percussion, background vocals
\nOmar Domkus<\/b> – bass guitar, background vocals
\nJamie Mitchel<\/b> – Electric Guitars, background vocals
\nR\u00e4mald Domkus (Allan Aguirre)<\/b> – vox, electic\/acoustic guitars, keys, percussionTerry Taylor<\/b> – additional string arrangements on “Look Into My Side”, additional voices
\nRiki Michele<\/b> – female vox on “A Freedom Cry”
\nJav<\/b> – additional BGV’s
\nDrew Domkus<\/b> – additional keys on “Look Into My Side”
\nTools<\/b>, Ed Lover<\/b> – additional guitars
\nGreg Flesch<\/b> – lounge piano & horns on “Kill the Sarx II”, additional guitars<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01)<\/td>\nKill the Sarx<\/td>\n1:26<\/td>\nR. Domkus<\/td>\n<\/tr>\n
02)<\/td>\nWhile Reprobate<\/td>\n1:41<\/td>\nR. Domkus<\/td>\n<\/tr>\n
03)<\/td>\nBeggar<\/td>\n2:22<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
04)<\/td>\nLights Out<\/td>\n2:50<\/td>\nR. Domkus<\/td>\n<\/tr>\n
05)<\/td>\nLater (L.A. 1989)<\/td>\n3:37<\/td>\nR. Domkus \/ O. Domkus \/ Drew Domkus<\/td>\n<\/tr>\n
06)<\/td>\nGroovy<\/td>\n2:56<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
07)<\/td>\nGlass God<\/td>\n2:07<\/td>\nR. Domkus<\/td>\n<\/tr>\n
08)<\/td>\nAs the Story Grows<\/td>\n1:27<\/td>\nR. Domkus<\/td>\n<\/tr>\n
09)<\/td>\nU<\/td>\n1:53<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
10)<\/td>\nA Freedom Cry<\/td>\n2:30<\/td>\nR. Domkus<\/td>\n<\/tr>\n
11)<\/td>\nScapegoat<\/td>\n1:17<\/td>\nR. Domkus<\/td>\n<\/tr>\n
12)<\/td>\nWonder Why<\/td>\n1:36<\/td>\nR. Domkus<\/td>\n<\/tr>\n
13)<\/td>\nDITC<\/td>\n1:09<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
14)<\/td>\nSelf<\/td>\n1:13<\/td>\nR. Domkus<\/td>\n<\/tr>\n
15)<\/td>\nLook Into My Side<\/td>\n4:09<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
16)<\/td>\nKill the Sarx II<\/td>\n7:05<\/td>\nR. Domkus \/ O. Domkus \/ Taylor \/ Greg Flesch<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
Other Information:<\/b>
\nACM Journal #2 listed this album as coming out on Narrowpath Records, but might have been speculation.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\"album<\/p>\n

\"album<\/td>\n

 <\/td>\n\n\n\n\n
Out of the Attic 1983-1984<\/b><\/span>
\nCassette version: Sacrosanctus Records (1991)
\nCD version: Flying Tart (1994)
\nVinyl version: Retroactive Records (2023)
\nScaterd Bl\u00fce Box Set version: Retroactive Records (2023)<\/p>\n

R\u00e4mald Domkus (Allan Aguirre)<\/b> – vocals on track 1, guitars on tracks 1-11, drums on tracks 12 – 20, BGV
\nOmar Domkus<\/b> – bass, BGV, vocals on track 2
\nLou Becaria<\/b> – lead guitar on track 2
\nAllen Pelerin<\/b> – vocal on tracks 3 – 20
\nBrian Anderson<\/b> – drums on tracks 3 – 11
\nAndy Zachari<\/b> – guitars on tracks 12 – 16
\nBen Eschbach<\/b> – guitars on tracks 17 – 20<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01)<\/td>\nGave Us Life<\/td>\n2:28<\/td>\nR. Domkus<\/td>\n<\/tr>\n
02)<\/td>\nUntitled<\/td>\n1:29<\/td>\nO. Domkus<\/td>\n<\/tr>\n
03)<\/td>\nDeath<\/td>\n1:33<\/td>\nO. Domkus<\/td>\n<\/tr>\n
04)<\/td>\nEcho<\/td>\n1:31<\/td>\nR. Domkus<\/td>\n<\/tr>\n
05)<\/td>\nSin Face<\/td>\n1:03<\/td>\nR. Domkus<\/td>\n<\/tr>\n
06)<\/td>\nP.T.T.C.P.<\/td>\n1:52<\/td>\nR. Domkus<\/td>\n<\/tr>\n
07)<\/td>\nThe End<\/td>\n2:48<\/td>\nR. Domkus<\/td>\n<\/tr>\n
08)<\/td>\nAnti-I’m Right<\/td>\n1:37<\/td>\nR. Domkus<\/td>\n<\/tr>\n
09)<\/td>\nAnti Ape<\/td>\n1:48<\/td>\nR. Domkus<\/td>\n<\/tr>\n
10)<\/td>\nTid Bit<\/td>\n0:16<\/td>\n <\/td>\n<\/tr>\n
11)<\/td>\nDeath<\/td>\n0:40<\/td>\nO. Domkus<\/td>\n<\/tr>\n
12)<\/td>\nTid Bit<\/td>\n0:33<\/td>\n <\/td>\n<\/tr>\n
13)<\/td>\nP.T.T.C.P.<\/td>\n2:05<\/td>\nR. Domkus<\/td>\n<\/tr>\n
14)<\/td>\nGave Us Life<\/td>\n2:13<\/td>\nR. Domkus<\/td>\n<\/tr>\n
15)<\/td>\nAnti Ape<\/td>\n2:19<\/td>\nR. Domkus<\/td>\n<\/tr>\n
16)<\/td>\nAnti-I’m Right<\/td>\n1:49<\/td>\nR. Domkus<\/td>\n<\/tr>\n
17)<\/td>\nTid Bit<\/td>\n0:35<\/td>\n <\/td>\n<\/tr>\n
18)<\/td>\nRatzak At The Beach<\/td>\n2:18<\/td>\nB. Eschbach<\/td>\n<\/tr>\n
19)<\/td>\n(the beach cont.)<\/td>\n1:56<\/td>\n <\/td>\n<\/tr>\n
20)<\/td>\nSolo<\/td>\n0:10<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n2023 Re-Issue Bonus Tracks<\/b><\/td>\n<\/tr>\n
21)<\/td>\nWith Him<\/td>\n2:22<\/td>\n <\/td>\n<\/tr>\n
22)<\/td>\nKnock, Knock<\/td>\n3:17<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
Other Information:<\/b>
\nThis album was released three times: once as a cassette, then as a CD, and much later on vinyl. All songs were on both versions, although some weren’t listed on the cassette. Tracks 1 – 11 are listed as the 1983 side, tracks 12 – 20 are listed as the 1984 side. Tracks 1 and 2 were the demo that Omar and R\u00e4mald played for Terry Taylor. Tracks 6 – 11 are from the 11 song demo recorded with Taylor. The rest are live songs. The bonus tracks on the 2023 version are by The Aspects, Allan and Omar’s first band.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n

Blonde Vinyl Recordings<\/strong><\/h2>\n
\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
Jawboneofanass<\/b><\/span>
\nSopa Records (1994)
\nVinyl version: Retroactive Records (2023)
\nScaterd Bl\u00fce Box Set version: Retroactive Records (2023)
\nProduced by Scaterd Few<\/b><\/p>\n

Drew Domkus<\/b> – keyboards
\nPaul Figueroa<\/b> – electric guitars, samples
\nSamuel West<\/b> – drums, percussion
\nOmar Domkus<\/b> – electric fretless, acoustic\/electric fretted bass
\nAllan Aguirre<\/b> – lead vocals, acoustic guitars, keyboards, percussionJyro<\/b> – additional keyboards on “Once Upon”, other vocals
\nEdie Goodwin<\/b> – female voices
\nEric Clayton<\/b> – other vocals?<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01)<\/td>\nWitchcraft<\/td>\n3:04<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
02)<\/td>\nDreams<\/td>\n4:04<\/td>\nScaterd Few<\/td>\n<\/tr>\n
03)<\/td>\nSinking In Sorrow<\/td>\n4:21<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
04)<\/td>\nSheets<\/td>\n4:09<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
05)<\/td>\nStretch<\/td>\n4:10<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
06)<\/td>\nOnce Upon…<\/td>\n3:38<\/td>\nScaterd Few<\/td>\n<\/tr>\n
07)<\/td>\nOom Pah Pah<\/td>\n2:03<\/td>\nScaterd Few<\/td>\n<\/tr>\n
08)<\/td>\nReel Not Real<\/td>\n4:53<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
09)<\/td>\nHolding Stare<\/td>\n4:33<\/td>\nScaterd Few<\/td>\n<\/tr>\n
10)<\/td>\nDame<\/td>\n3:56<\/td>\nScaterd Few<\/td>\n<\/tr>\n
11)<\/td>\nRansom<\/td>\n4:18<\/td>\nScaterd Few<\/td>\n<\/tr>\n
12)<\/td>\nPinnacle<\/td>\n4:26<\/td>\nScaterd Few<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
Other Information:<\/b>
\nThis album was actually recorded three times – once for Vox Vinyl (1991), then again for Blonde Vinyl (1992), and finally as an independent project in 1994. The information listed above is for the 1994 independent release, which may or may not be the same as the Blonde Vinyl recordings. Steve Ruff was able to interview Allan Aguirre and had this to add about the Blonde Vinyl contract situation: “The band signed with Blonde Vinyl in 1992, but that was short lived. The label where they originally tried to make JawBoneOfAnAss<\/em> pitched a fit and served Blonde Vinyl with cease and desist papers. That left Allan with two versions of the album only 65% done. The first version had Terry Taylor co-producing and Gene Eugene engineering. The second version had Taylor again, and Dave Hackbarth engineering. Broken records wanted in on the album as well, but the original label blocked that also. The album was finally recorded in the fall of 1993 at Blood\u2019s Knotty Pine Studio. Blood as you may remember was Mark Rodriguez and Gyro & Jerome from Mortal. Mark and Allan engineered and Allan held the reins of producer. JawBoneOfAnAss<\/em> was finally released at Cornerstone in 1994.”<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n

Post-Blonde Vinyl Career<\/strong><\/h2>\n
\n

Allan Aguirre formed Spy Glass Blue in 1995, releasing several albums of gothic music. Several Cygnet songs were re-recorded by Spy Glass Blue.<\/p>\n

\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
Grandmother’s Spaceship<\/b><\/span>
\nJackson Rubio (1998)
\nVinyl version: Retroactive Records (2023)
\nScaterd Bl\u00fce Box Set version: Retroactive Records (2023)
\nProduced by Allan Aguirre<\/b><\/p>\n

Steve Martens<\/b> – drums, percussion
\nSteven Meigs<\/b> – fretted, fretless bass guitars
\nRussell Archer<\/b> – electric guitar, special effect, keyboard, background vocals
\nAllan Aguirre<\/b> – vocals, acoustic guitars, keyboards\/treatmentsCristina Aguirre<\/b> – background vocals in “Vanishing”
\nCorin Aguirre<\/b> – as Bobby in “Bobby’s Song”
\nLee Harbaugh<\/b> – trombone
\nDiane Morren<\/b> – as Grandmother in “Bobby’s Song”
\nJoshua Pyle<\/b> – keyboards, sampling<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01)<\/td>\nIntro<\/td>\n0:39<\/td>\n <\/td>\n<\/tr>\n
02)<\/td>\nSpace Junk<\/td>\n3:42<\/td>\nAguirre<\/td>\n<\/tr>\n
03)<\/td>\nLullaby<\/td>\n2:33<\/td>\nArcher \/ Aguirre<\/td>\n<\/tr>\n
04)<\/td>\nWin The Fisher<\/td>\n2:32<\/td>\nMeigs<\/td>\n<\/tr>\n
05)<\/td>\nArbitrator<\/td>\n5:27<\/td>\nAguirre<\/td>\n<\/tr>\n
06)<\/td>\nFuture Love<\/td>\n1:59<\/td>\nArcher \/ Aguirre<\/td>\n<\/tr>\n
07)<\/td>\nSpecies<\/td>\n2:46<\/td>\nAguirre<\/td>\n<\/tr>\n
08)<\/td>\nIncorruptible<\/td>\n3:19<\/td>\nMeigs \/ Aguirre \/ Archer<\/td>\n<\/tr>\n
09)<\/td>\nVanishing<\/td>\n2:51<\/td>\nAguirre<\/td>\n<\/tr>\n
10)<\/td>\n(Untitled Oddity)<\/td>\n3:09<\/td>\n <\/td>\n<\/tr>\n
11)<\/td>\nSuspension My Love<\/td>\n4:34<\/td>\nMeigs \/ Aguirre<\/td>\n<\/tr>\n
12)<\/td>\nBobby’s Song<\/td>\n4:38<\/td>\nAguirre<\/td>\n<\/tr>\n
13)<\/td>\nTwinkling Of An Eye<\/td>\n1:54<\/td>\nAguirre<\/td>\n<\/tr>\n
14)<\/td>\nWorm Hole<\/td>\n2:11<\/td>\nArcher<\/td>\n<\/tr>\n
15)<\/td>\nSplendor<\/td>\n3:00<\/td>\nArcher<\/td>\n<\/tr>\n
16)<\/td>\nAs The Story Grows (v.2)<\/td>\n16:09<\/td>\nAguirre<\/td>\n<\/tr>\n
 <\/td>\n2023 Re-Issue Bonus Track<\/b><\/td>\n<\/tr>\n
17)<\/td>\nArbitrator (demo)<\/td>\n4:51<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
Sin Disease \/ Jawboneofanass<\/b><\/span>
\nKMG (1998)<\/p>\n

(see listings above for credits)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01)<\/td>\nKill the Sarx<\/td>\n1:26<\/td>\nR. Domkus<\/td>\n<\/tr>\n
02)<\/td>\nWhile Reprobate<\/td>\n1:41<\/td>\nR. Domkus<\/td>\n<\/tr>\n
03)<\/td>\nBeggar<\/td>\n2:22<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
04)<\/td>\nLights Out<\/td>\n2:50<\/td>\nR. Domkus<\/td>\n<\/tr>\n
05)<\/td>\nLater (L.A. 1989)<\/td>\n3:37<\/td>\nR. Domkus \/ O. Domkus \/ Drew Domkus<\/td>\n<\/tr>\n
06)<\/td>\nGroovy<\/td>\n2:56<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
07)<\/td>\nGlass God<\/td>\n2:07<\/td>\nR. Domkus<\/td>\n<\/tr>\n
08)<\/td>\nAs the Story Grows<\/td>\n1:27<\/td>\nR. Domkus<\/td>\n<\/tr>\n
09)<\/td>\nU<\/td>\n1:53<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
10)<\/td>\nA Freedom Cry<\/td>\n2:30<\/td>\nR. Domkus<\/td>\n<\/tr>\n
11)<\/td>\nScapegoat<\/td>\n1:17<\/td>\nR. Domkus<\/td>\n<\/tr>\n
12)<\/td>\nWonder Why<\/td>\n1:36<\/td>\nR. Domkus<\/td>\n<\/tr>\n
13)<\/td>\nDITC<\/td>\n1:09<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
14)<\/td>\nSelf<\/td>\n1:13<\/td>\nR. Domkus<\/td>\n<\/tr>\n
15)<\/td>\nLook Into My Side<\/td>\n4:09<\/td>\nR. Domkus \/ O. Domkus<\/td>\n<\/tr>\n
16)<\/td>\nWitchcraft<\/td>\n3:04<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
17)<\/td>\nDreams<\/td>\n4:04<\/td>\nScaterd Few<\/td>\n<\/tr>\n
18)<\/td>\nSinking In Sorrow<\/td>\n4:21<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
19)<\/td>\nSheets<\/td>\n4:09<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
20)<\/td>\nOnce Upon…<\/td>\n3:38<\/td>\nScaterd Few<\/td>\n<\/tr>\n
21)<\/td>\nOom Pah Pah<\/td>\n2:03<\/td>\nScaterd Few<\/td>\n<\/tr>\n
22)<\/td>\nReel Not Real<\/td>\n4:53<\/td>\nScaterd Few \/ J. Mitchell<\/td>\n<\/tr>\n
23)<\/td>\nHolding Stare<\/td>\n4:33<\/td>\nScaterd Few<\/td>\n<\/tr>\n
24)<\/td>\nDame<\/td>\n3:56<\/td>\nScaterd Few<\/td>\n<\/tr>\n
25)<\/td>\nRansom<\/td>\n4:18<\/td>\nScaterd Few<\/td>\n<\/tr>\n
26)<\/td>\nPinnacle<\/td>\n4:26<\/td>\nScaterd Few<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\"album<\/td>\n <\/td>\n\n\n\n\n
Omega No. 5<\/b><\/span>
\nAccidental Sirens (2002)
\nVinyl version: Retroactive Records (2023)
\nScaterd Bl\u00fce Box Set version: Retroactive Records (2023)
\nProduced by Allan Aguirre<\/b><\/p>\n

Allan Aguirre<\/b> – guitars, vocals, drums
\nBrad Bevill<\/b> – guitar, background vocals
\nChris Smyers<\/b> – bass, background vocalsLetha Gaines<\/b> – vocals on “Rise Up”
\nRaymond Abbey<\/b> – vocals on “Rise Up”<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
01)<\/td>\nRun If You Can<\/td>\n1:30<\/td>\nAguirre<\/td>\n<\/tr>\n
02)<\/td>\nResistance<\/td>\n2:03<\/td>\nAguirre<\/td>\n<\/tr>\n
03)<\/td>\nFair Is He<\/td>\n2:02<\/td>\nAguirre<\/td>\n<\/tr>\n
04)<\/td>\nThis Is…<\/td>\n1:59<\/td>\nAguirre<\/td>\n<\/tr>\n
05)<\/td>\nRise Up!<\/td>\n5:00<\/td>\nAguirre<\/td>\n<\/tr>\n
06)<\/td>\nParental Advisory<\/td>\n2:44<\/td>\nAguirre<\/td>\n<\/tr>\n
07)<\/td>\nAnybody – Everybody<\/td>\n3:02<\/td>\nAguirre \/ Smyers<\/td>\n<\/tr>\n
08)<\/td>\nShark Attack<\/td>\n2:04<\/td>\nAguirre \/ Bevill<\/td>\n<\/tr>\n
09)<\/td>\nCamel Crawl<\/td>\n2:04<\/td>\nAguirre<\/td>\n<\/tr>\n
10)<\/td>\nTomorrow<\/td>\n3:13<\/td>\nAguirre<\/td>\n<\/tr>\n
11)<\/td>\nOnly<\/td>\n3:32<\/td>\nAguirre<\/td>\n<\/tr>\n
12)<\/td>\nSleeper<\/td>\n2:44<\/td>\nAguirre<\/td>\n<\/tr>\n
13)<\/td>\nLife Bleeds Out<\/td>\n2:07<\/td>\nAguirre \/ Bevill \/ Smyers<\/td>\n<\/tr>\n
14)<\/td>\nSheol<\/td>\n4:01<\/td>\nAguirre \/ Bevill \/ Smyers<\/td>\n<\/tr>\n
15)<\/td>\nSecret – Secret<\/td>\n1:52<\/td>\nAguirre<\/td>\n<\/tr>\n
16)<\/td>\nHidden Track<\/td>\n0:29<\/td>\nAguirre<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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Allan Aguirre formed Men as Trees Walking<\/a> in 2007.<\/p>\n

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\"album<\/td>\n <\/td>\n\n\n\n\n
Scaterd Bl\u00fce Box<\/b><\/span>
\nRetroactive Records (2023)<\/p>\n

This box set contained remastered versions of Jawboneofanass<\/em>, Out of the Attic<\/em>, Grandmother’s Spaceship<\/em>, and Omega No. 5<\/em> along with Spy Glass Blue’s Shadows<\/em>, Loud as Feathers<\/em>, and The Blue EP<\/em> as well as bonus tracks from Cygnet and The Aspects.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

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Listen \/ Stream<\/strong><\/h2>\n