Aunt Bettys Album Release Show

Yep, you read that right! From Lost in Ohio: “We are super excited to announce that the Aunt Bettys are putting on a live show in celebration of their album’s reissue on February 28. This will be a great time to come together and celebrate this special band and album, hope to see you there!

They’ll be joined by special guests Watashi Wa and The Rocky Valentines. Ticket link and more info is below.

The Aunt Bettys celebrate the long-awaited reissue of their self-titled 1996 debut with a rare live show!

TICKETS: https://www.eventbrite.com/e/aunt–bettys-with-watashi-wa-and-the-rocky-valentines-tickets-1979941831316

Date: Saturday, February 28, 2026
Time: 2-5PM PST (Saturday Matinee)
Location: The Wayfarer, Costa Mesa, CA

Special guests: Watashi Wa and The Rocky Valentines

The band will play favorites from the album alongside other classic Bettys tracks, with original members Brian Doidge, Andrew Carter, and Chuck Cummings on stage. Joining them is local Orange County singer Ryan Lee Mead, sharing vocal duties with other “friends of the Bettys.”

Signed to Elektra in 1995 at the height of the alternative rock era, Aunt Bettys was Michael Knott’s shot at breaking into the mainstream. The “witty, decadent, catchy, assuredly rocking record” (Los Angeles Times) drew from Knott’s nights in Orange County dive bars, channeling the Stones’ swagger, Bowie’s glam edge, and the intensity of Jane’s Addiction. Despite winning a bidding war to sign the band, Elektra provided zero promotion, and the band dissolved within months of the album’s release.

Even so, the album lived on as one of the most celebrated releases of Knott’s career. Lost in Ohio has now brought it back with new artwork and a full remaster. Copies on vinyl, CD, and cassette will be available for purchase at the show, for those who missed the Kickstarter.”

Help The Choir Reissue “Flap Your Wings” and a New Album on Vinyl

Remember when Michael Knott painted the cover for The Choir’s Flap Your Wings album? It is now time for that album to be re-issued on vinyl – with a few surprises as well as a new album by The Choir.

“The Choir’s first album, Voices in Shadows, was released in 1985. Forty years ago! Can you believe it? And now we are intent on making another. It will be our 20th. So… it feels poetic and apropos to offer 20 more new songs! Dragonfly will be our most ambitious project to date: a double CD and double vinyl.

Dragonflies symbolize transformation and self discovery as they emerge from water to air. As a band and as seekers we are still evolving, still adapting, still chasing beauty and authenticity. As friends and co-creators we enjoy making music together as truly as ever while extending each other the grace to explore alone. We’ve learned that it is important to honor each other’s individuality, which sometimes means existing in adjacent zones. Derri, Steve and Dan. Like “a dragonfly on the water, another on a sunny rock, and another on a flower stalk,” there comes a time to dance on the wind again, as a musical team and as brothers. So here we go!

To mark this moment, we are also excited to commemorate the 25th anniversary of Flap Your Wings with a limited deluxe edition on CD, vinyl and download. The audio has been newly remastered for clarity and depth from the original DAT of the final mixes. We are making this extra special (deluxe) by adding two new tracks. We will cover a classic song from Adam Again and another from Michael Knott. It feels appropriate to honor both of these artists on this project. Our tribute song, “Hey Gene,” is on Flap Your Wings and it’s been 25 years since our dear friend, Gene Eugene, left this world. Also our friend Michael Knott, who recently departed, painted the iconic cover art. Packaging will reflect the original spirit with thoughtful modifications. The Flap Your Wings 25 Year Anniversary Deluxe Remaster is bundled in select reward tiers or simply as an “add on” when you back Dragonfly.”

Orphans of God Podcast Episodes Discuss Michael Knott

The Orphans of God podcast has been covering many artists that would be of interest to Knottheads, but two recent episodes have directly discussed Michael Knott. At the end of July, an episode discussing updates to the Us Kids documentary with John Smeby and Todd Anthony Zeller touched on Knott some:

A few weeks ago, Spun Counterguy and Todd Anthony Zeller launched a limited-run tribute series for Knott called A Kiss of Life. The first episode is an interview with Robert Freeman:

Look for more to come from that limited run series, as well as other Orphans of God episodes.

Michael Knott “Live at the Push” from 1995 Available Now

Just released on the Blonde Vinyl BandCamp page: Michael Knott live at the Push. This bootleg recording captures an unplugged set along with a plugged in set where Brian Doidge and Jacob Christensen of Superchrome on drums. This set was recorded live on April 7, 1995 at The Push in Portland Oregon. The show was mastered from cassette by Bruce Neher, so it sounds great.

L.S.U. “Radio Satan” Promotional Video Unearthed

From Pan-Con Productions: “We filmed and created this video for Michael Knott for the 1993 Cash in Chaos album after the epic LSU mainstage performance at the Cornerstone Festival in Bushnell, Illinois… hosted by JPUSA.

We sent him the raw footage, and he approved of this video interpretation, but we lost it for 32 years.

Until now. Here it is raw. You may have to increase your volume and bass. It was transferred from Hi-8 to VHS to DVD and this.

We loved Mike Knott and LSU so much…we are still mourning over the loss of the coolest dude artist.”

Aunt Bettys to Play at Benefit Concert

The surviving members of the Aunt Bettys are scheduled to perform at a benefit concert for Steve Carson at The Wayfarer in Costa Mesa, California. From Ryan Mead:

“I am so honored to be able to support my dear friend Steve Carson by performing at his upcoming benefit show at The Wayfarer. All proceeds will go directly to Steve to support the many medical bills he has to contend with. Steve has always been one of my biggest supporters musically and I’ve looked to him for guidance many times over the years. I am grateful to be able to repay him in some way. Please join us for a very special evening with performances from a slew of amazing artists and friends! Let’s lift Steve up! See you Sunday, April 13th!”

It also appears that Andrew Carter’s post Aunt Bettys band Go Forth will be there as well. See the flyer below for details.

Inaccuracies in Knott Article

A recently published article called “Love Conquers the Dread of the Poor: The Lenten Odyssey of Michael Knott” in Church Life Journal takes a heartfelt look at the lyrics of Michael Knott’s Rocket and a Bomb album. Unfortunately, there are also several inaccuracies in the article as well:

“In the early 90s Knott was going through a divorce and was nearly penniless, living with bandmate Brian Doidge in a dilapidated building near the corner of Sunset and Fairfax, a seedy part of West Hollywood, Los Angeles. The units were so tiny that most doors remained open most of the time. He was also in the grip of alcohol addiction, very much the cause of his lost marriage and his new poverty.”

Knott and various members lived in the apartment complex at Sunset and Fairfax in the 1980s – possibly from about 1982/83 to 1987/88. He didn’t get married until 1989, and in the early 1990s their divorce had not started yet. His alcoholism might have started during the time period that Rocket and a Bomb was recorded, but he probably wasn’t far enough into it to be in the grips of it at that time.

“Jan, it seems, has a weird monthly routine involving sandwiches. He tries now and then to join Knott’s band (the Aunt Bettys) as a percussionist…”

When living at Sunset and Fairfax, Knott’s main band was Idle Lovell (1981 or 1983 to 1986). Other possibilities were Bomb Bay Babies (1987 to 1988) or L.S.U. (Lifesavers became L.S.U. about December 1986). Knott mentioned once that L.S.U. was still living in that apartment in 1987. Aunt Betty’s Ford was formed about 1992, well after Knott moved out of that apartment complex.

“‘Kitty,’ a spunky lady who accidentally kills her husband and then does something nauseating and horrific…”

I don’t think they never knew how or why Kitty killed her husband (or even if she really did or not), so there is no telling if it was accidental or not.

“(Knott) went to jail for impersonating a police officer”

Knott has told several stories of when he went to jail, but never mentions it was because of impersonating a police officer. It was usually from too many parking tickets. But I think this was just a misunderstanding of one trip to jail: he often wore a military jacket he got at a thrift store. Police were always pulling him over because of it and giving him tickets. Those tickets turned into warrants and he went to jail.

“‘Skinny Skins,’ about a fellow musician that Michael is hiding from because he owes him money. This last one is fascinating because Michael now seems to have made the full transition from suburb to slum…”

When Rocket and a Bomb was recorded, Knott had actually moved the other direction. From the early 1980s to 1987-ish, Knott and various bandmates lived at Sunset and Fairfax. L.S.U. was still living there in 1987. Some where around 1987 or 1988, Knott moved into “The Flats” (he had probably lived there on and off before this as well). “The Flats” were in downtown Orange. It was an old dormitory for Chapman College, with 20 rooms down a hall. Local Christian band members lived there, like a band frat house. Brian Doidge and Chris Brigandi lived there, for example. Knott rented a closet for $100 a month at one point. In 1989, Knott got married. They lived in “The Flats” for about two months, until Windy had enough of the conditions there and they moved to the suburbs in Orange County. They were probably still living there in 1993-94 (FYI, 1989 was also the year when the events of The Grape Prophet happened, while Knott was leading a Bible study for bands with the Anaheim Vineyard churches).

“a dawning realization of alcohol-induced alienation (‘Make Me Feel Good’)”

In 1993-94, Knott was a very popular and in-demand musician, producer, and mentor to many bands. He may or may not have been alcoholic at this time, but he was not very alienated. He might have felt separated from friends that he had a falling out with, and he also might have been writing about people he knew that felt alienated. But the lyrics seem to be talking more about feeling down like we all do from time to time, and how others appear to avoid us at those times.

Please see the Unofficial Timeline of Knott’s life for details about these evets, as well as citations for the sources of the claims. Most of these sources are Knott’s own words in various interviews, but he has been known to get details wrong from time to time.

Help Reissue the Aunt Bettys Debut Album on Vinyl, CD, and Tape

“The Aunt Bettys album has lived on as one of the most celebrated releases of Knott’s career. Lost in Ohio has had the pleasure of working with Mike Knott on prior reissues of his albums The Grape Prophet and Strip Cycle, and we’ve now decided to take on a deluxe reissue of this album as well, with the direct involvement of Knott’s family and band.

We will reissue the album on vinyl, in two stunning color variants. Each will be pressed on heavy 180 gram vinyl in a deluxe gatefold package, with liner notes and never-before-seen photos and memorabilia. We will reissue on glass-mastered CD, in a digipak with a full booklet, with the same attention to detail afforded the vinyl. For those still rollin’ the streets in their ’80s Camaro, we have a cassette option, with a large fold-out J Card (magnifying glass not included). All production will be handled by trusted partners that we have worked with multiple times for great, consistent results.

The iconic album artwork paintings are lost to time, as confirmed by artist Tim Okamura. We have chosen to work with another renowned painter Stephen Cefalo, who will be creating two brand-new 12×24 oil paintings for the release. The new artwork will be inspired by and an homage to the original art, designed specifically for the larger vinyl format. Like Okamura, Cefalo is a celebrated painter with a background in surreal life-like paintings. He has also done work in comics and as a staff artist for Nickelodeon, so he brings experience relevant to the unique demands of this project. And some fun facts for those in and around the Mike Knott scene:

  • Stephen is fan of Knott’s work in the late ’80s and early ’90s, and is excited to be involved in the project.
  • He went to high school with Blaster the Rocket Man, and painted the cover to their album The Monster Who Ate Jesus in his younger years.
  • We have definitely heard him name Fluffy Luvs You as among his all-time favorite albums.

We will be working with Christopher Colbert to remaster the album, and hope to obtain the original master tapes for the highest quality results. (Warner Bros. maintains meticulous master archives and will begin the search and restoration process at the conclusion of the Kickstarter. Although we expect to have access to the master tapes, we will ultimately use the best available audio sources.)”

See the Kickstarter page for pledge levels, samples of Cefalo’s artwork, budget breakdowns, stretch goal statements, and more.