Retroactive Records to Release Fluid, Grace Shaker, and A Kiss of Life on CD and Vinyl

Retroactive Records has announced that they are reissuing Michael Knott’s Fluid, L.S.U.’s Grace Shaker, and Lifesavers A Kiss of Life on CD and vinyl. They all come with historical write-ups and and images. The Fluid release will come with a re-imagined version of the “Get Well Jenny May” card that was part of the advertising campaign. The CD version of A Kiss of Life will feature the original artwork for the first time on CD. Check out the full announcement details here, along with links to pre-order.

New Add-On for the Rocket and a Bomb Kickstarter


“With five days left in the campaign, something unexpected has worked its way into the story. I’d hoped to do a stretch goal, but simply couldn’t land on one that gave me the feeling that what I’d be offering was worth the time and effort, and quite frankly, your interest and financial support.

Then in the midst of an altogether different conversation, Todd Zeller showed me some video he’d shot of Mike painting, and mentioned he had the painting on his wall. And then it hit me – I think a lot of fans had wished in his lifetime, they could’ve owned an original GERARD painting. Myself included. So the idea was simple: photograph the piece properly and make a small run of faithful giclée canvas reproductions…nothing cleaned up, nothing “improved,” nothing altered. But give everyone the opportunity to own a copy of one of Mike’s paintings.

Before doing anything, I wanted to make sure it was done the right way. That meant reaching out to Michael’s estate so that his daughter Stormie would be included and properly receive royalties from the prints. That permission and deal is now in place, and I’m grateful I can share the piece while also making sure the family benefits from it.

So for the final stretch of the campaign, we’re adding a limited one-time run of 8” × 10” canvas giclée prints, each hand-stretched on a wooden frame. The same painting Michael once gave to a friend…now reproduced, just once, for the people who helped bring Rocket and a Bomb back into the world.

The painting can be found in the “Add-On” section of the campaign. To add the painting to your existing pledge, follow the directions found at this link.”

Help Reissue Rocket and a Bomb on Deluxe CD and Vinyl

From Lo-Fidelity Records: “I’ve been putting records back into the world for a long time now. Some because I was asked to. Some because they were/are favorites of mine. And some because they never really left the people who heard them the first time.

Rocket and a Bomb fits all of these criteria.

This is Michael Knott at his most locked-in as a storyteller. It was not the loud, chaotic, full-band Knott most people expected. This was him writing about the strange, broken, funny, and very real people who surrounded him when he was living in Hollywood. Junkies. Neighbors. Lost souls. Friends. Himself. The whole thing plays like a stack of short films set to music. It’s messy, human, sometimes hilarious, sometimes brutal, and somehow still full of grace.

When this record appeared, it didn’t fit neatly anywhere. It wasn’t CCM. It wasn’t alternative rock in the way people wanted it packaged. It just existed in its own strange little orbit…and over the years it quietly became one of the Knott records people kept coming back to. The one they mentioned in emails. The one they asked about at shows. The one they didn’t forget.

So, let’s bring Rocket and a Bomb back properly.

Not as nostalgia. Not as a quick repress. But as a careful, fully-realized reissue for the people who’ve lived with this album for decades…and for the ones who are just now discovering how deep Michael’s catalog really goes.

If you already know this record, you know why it matters.
If you don’t, you’re about to find out.”

Michael Knott “Live at the Push” from 1995 Available Now

Just released on the Blonde Vinyl BandCamp page: Michael Knott live at the Push. This bootleg recording captures an unplugged set along with a plugged in set where Brian Doidge and Jacob Christensen of Superchrome on drums. This set was recorded live on April 7, 1995 at The Push in Portland Oregon. The show was mastered from cassette by Bruce Neher, so it sounds great.

Inaccuracies in Knott Article

A recently published article called “Love Conquers the Dread of the Poor: The Lenten Odyssey of Michael Knott” in Church Life Journal takes a heartfelt look at the lyrics of Michael Knott’s Rocket and a Bomb album. Unfortunately, there are also several inaccuracies in the article as well:

“In the early 90s Knott was going through a divorce and was nearly penniless, living with bandmate Brian Doidge in a dilapidated building near the corner of Sunset and Fairfax, a seedy part of West Hollywood, Los Angeles. The units were so tiny that most doors remained open most of the time. He was also in the grip of alcohol addiction, very much the cause of his lost marriage and his new poverty.”

Knott and various members lived in the apartment complex at Sunset and Fairfax in the 1980s – possibly from about 1982/83 to 1987/88. He didn’t get married until 1989, and in the early 1990s their divorce had not started yet. His alcoholism might have started during the time period that Rocket and a Bomb was recorded, but he probably wasn’t far enough into it to be in the grips of it at that time.

“Jan, it seems, has a weird monthly routine involving sandwiches. He tries now and then to join Knott’s band (the Aunt Bettys) as a percussionist…”

When living at Sunset and Fairfax, Knott’s main band was Idle Lovell (1981 or 1983 to 1986). Other possibilities were Bomb Bay Babies (1987 to 1988) or L.S.U. (Lifesavers became L.S.U. about December 1986). Knott mentioned once that L.S.U. was still living in that apartment in 1987. Aunt Betty’s Ford was formed about 1992, well after Knott moved out of that apartment complex.

“‘Kitty,’ a spunky lady who accidentally kills her husband and then does something nauseating and horrific…”

I don’t think they never knew how or why Kitty killed her husband (or even if she really did or not), so there is no telling if it was accidental or not.

“(Knott) went to jail for impersonating a police officer”

Knott has told several stories of when he went to jail, but never mentions it was because of impersonating a police officer. It was usually from too many parking tickets. But I think this was just a misunderstanding of one trip to jail: he often wore a military jacket he got at a thrift store. Police were always pulling him over because of it and giving him tickets. Those tickets turned into warrants and he went to jail.

“‘Skinny Skins,’ about a fellow musician that Michael is hiding from because he owes him money. This last one is fascinating because Michael now seems to have made the full transition from suburb to slum…”

When Rocket and a Bomb was recorded, Knott had actually moved the other direction. From the early 1980s to 1987-ish, Knott and various bandmates lived at Sunset and Fairfax. L.S.U. was still living there in 1987. Some where around 1987 or 1988, Knott moved into “The Flats” (he had probably lived there on and off before this as well). “The Flats” were in downtown Orange. It was an old dormitory for Chapman College, with 20 rooms down a hall. Local Christian band members lived there, like a band frat house. Brian Doidge and Chris Brigandi lived there, for example. Knott rented a closet for $100 a month at one point. In 1989, Knott got married. They lived in “The Flats” for about two months, until Windy had enough of the conditions there and they moved to the suburbs in Orange County. They were probably still living there in 1993-94 (FYI, 1989 was also the year when the events of The Grape Prophet happened, while Knott was leading a Bible study for bands with the Anaheim Vineyard churches).

“a dawning realization of alcohol-induced alienation (‘Make Me Feel Good’)”

In 1993-94, Knott was a very popular and in-demand musician, producer, and mentor to many bands. He may or may not have been alcoholic at this time, but he was not very alienated. He might have felt separated from friends that he had a falling out with, and he also might have been writing about people he knew that felt alienated. But the lyrics seem to be talking more about feeling down like we all do from time to time, and how others appear to avoid us at those times.

Please see the Unofficial Timeline of Knott’s life for details about these evets, as well as citations for the sources of the claims. Most of these sources are Knott’s own words in various interviews, but he has been known to get details wrong from time to time.

Two Live Bootlegs Now Available

Two bootlegs of past Knott concerts have been added to the Blonde Vinyl Records BandCamp page for those that want to purchase them (with income going to Knott’s daughter Stormie). See Live at the Murray Hill Theater 2001 and Live at Cornerstone 2001 to stream and purchase these releases. And thanks to the fans that dug these up and got them ready to sell as well.

Help Fund Michael Knott’s Classic “Screaming Brittle Siren” on Vinyl

“Screaming Brittle Siren is one of Michael Knott’s best releases from start to finish. Come join us in making this historic event happen. This alternative classic will be available finally on vinyl! Unfortunately, in order to properly release this it has to be a double vinyl, which means higher manufacturing costs. I have tried to keep the costs down where I could. I think in the end it will be a release we will all love to play on our turntables. This is the moment we have been waiting for and we can’t do this project without you the fans! So please pledge and also spread the word around to your fellow Michael Knott Fans!”

Lost in Ohio Announces Another Small Pressing of “Strip Cycle”

The vinyl version of Strip Cycle has arrived, and it looks and sounds amazing. But some fans missed out on getting a copy because it surprisingly sold out quickly. But if you missed snagging a copy – don’t despair!

“Another small pressing of Strip Cycle is happening, to help take care of those who missed it the first time around. Pre-orders coming later this spring. (Or for the impatient there are a few copies available at retail…)”